Hand Piercings, Finger Piercings, and Hand Web Piercings

Hand Piercings, Finger Piercings, and Hand Web piercings are all very rare and rather extreme. In fact, if you are even considering getting one of these piercings, you are truly one of the brave. The pain varies, and in fact usually there is minimal pain involved with the piercing, but the aftercare of these particular piercings is only for the stringent at heart.

Your hands are two of the most active places on your body. They are constantly in motion, they are full of germs, and they are very sensitive (all those nerves running through our hands help the brain process pain, pleasure, and temperatures). A contemporary phenomenon is getting the surfaces on your hands pierced. I’m not against these piercings at all, but more than most piercings, it is important you understand the risks before committing to the piercing.

Hand piercings are all surface piercings, so they are susceptible to the usual suspects – migration and rejection. Your hands are chock full of muscles, tendons, and nerves, so the constant motion of your hands don’t exactly work in your favor. Generally, the less disturbed the piercing area, the quicker and more successful the healing. With hand piercings you will not have the luxury keeping a hand “protected”. It will be exposed to the elements, germs, daily stresses, and abuses straightaway. For this reason, only get a hand piercing if you are willing to do the following.

First of all, you must clean it religiously. Your piercer will recommend cleaning it somewhere around three times a day with a warm saline solution – don’t skip this step! The saline helps keep the piercing site clean and free of buildup. You will have special instructions concerning which soap you can use, what moisturizer you can use, what liquids or gels you can’t put on your hands (Neosporin is always a no-no), ad infinitum. Smoking is definitely discouraged with a hand piercing, for the cigarette smoke that will inevitably drift around it will irritate your new piercing and prolong the healing. You must also be sure to keep the piercing site clean, not just from germs, but from dirt, trash, food, etc. Remember, you have a very delicate piercing that is being assaulted from all sides, so be careful!

Your lifestyle may have to change as well during the healing period. Besides not smoking, you shouldn’t be wearing gloves (they can tear the piercings out) or engaging in any activity that may put your hands at risk. If your career heavily depends on using your hands, you may want to think about getting one of these piercings extra carefully. Your everyday life will be affected by this piercing for at least a year – which is the general healing time. If you’ve never had a body piercing before, this probably isn’t a good one to start out with!

Now that the risks are known, and you still want to go ahead, here is what you can expect! For starters, don’t get pierced with a ring or hoop. You are just begging for it to get ripped out! Your hands touch too many objects everyday and a ring jutting out will get snared on something and it will be gone before you know it. Your piercer and you will decide if surface bars or curved barbells are best for your piercing location (which is largely determined by the shape of your hands, exact location, and lifestyle). It is not uncommon to have to get refitted a couple months after the piercing, for the swelling should have gone down enough to where you might need new jewelry to lie closer to the skin.

For hand piercings, the location can be almost anywhere. Surface bars will almost always be used, and the pain might be a bit intense. Rejection risk is high since there is not a lot of skin or tissue to penetrate, but with care this can be a relatively long term piercing.

Finger piercings generally don’t hurt nearly as much as they look, but these too have a high risk of migration. Generally pierced at the base of the finger to look like a ring, surface bars or barbells are used. The finger will swell after piercing, and is highly prone to infection, but by following the right aftercare and being super careful, you just may be able to make this piercing last a good long while.

Hand web piercings might be the most popular of the hand piercings – the webbing between each finger (especially between thumb and forefinger) is very thin and not hard to push a barbell through. It is also prone to rejection and migration, and infection is a very real possibility. This piercing should not affect your mobility (none of these piercings should affect any of your body functions), but the hand webs are major points in acupuncture therapy, so if you talk to an acupuncturist they probably won’t be keen on you receiving a piercing this area. There’s no western scientific evidence that piercing your hand webs will hurt you, but if you follow eastern medicine and science, you may want to hold off on web piercings.

All in all, piercings on the hand are rather extreme. They require constant care, zealous protection, regular cleaning, and even then it’s not a guarantee that these piercings will last. Yet, if you want to push the boundaries and your lifestyle affords it, you can try to get a piercing on your hand. For many people who successfully have them, it’s their favorite piercing!

The Origin, Characteristics and Uses of Roman Lettering

The Roman lettering style was developed from an old inscription found at the foot of a column built by Emperor Trojan in Rome in 113 B.C. A Frenchman called Nicholas Jenson first created the Roman lettering style in the fifteenth century precisely in 1470. It is also referred to as ‘Classical Roman lettering’ or ‘Quadrata’. The Roman alphabet took at least seven centuries to develop and did not contain the letters, J, U, and W.

Roman letters have ornamental or finishing strokes called serifs at both the top and bottom parts of the letters. These serifs give the vertical strokes of the letters stability and also make the letters graceful. The serif may be angular, thin, rounded or rectangular in their representations. This accounts for the varieties of serifs such as beaked serif, hairline serif, bracketed serif, sheared serif and slab serif.

There are other features that distinct this style of lettering from other forms of lettering. The letters have varying strokes of thick and thin. The vertical strokes are generally thick while the horizontal strokes are usually thin. Also, the letters have different proportions or sizes due to the transcending of thick and thin strokes. They are extremely beautiful and attractive because of the diversity in their stroke formation. Variety, which is a feature that breaks monotony or one format, is highly acclaimed with elegance by many people.

In addition, the letters stand erect or upright. This formal outlook of this lettering style makes it very appropriate to be used for official documents. This explains why mot documents for such purposes are usually restricted to be created in this lettering style.

Furthermore, the letters are carefully drawn or constructed. Due to the close attention paid to proportion and space, measuring devices are used by amateur designers who create these letters manually. Measuring tools on design software help in creating accurate representations of letters on personal computers.

This lettering is widely used for various purposes. It is used in writing the reading materials in books, newspapers, and magazines due to its excellent trait of readability. Also, they are used in designing packages for products and greeting cards for wishing people success in examinations, speedy recovery in ill health situations and many others. Again, they are used in writing the text on posters, banners, and other visual communication tools. Moreover, messages on citations are written in Roman lettering style. Names of participants in workshops, seminars, and other educational programmes are written in roman lettering styles on certificates.

It is one of the elegant lettering styles that ensure the designing of products in visual communication. Its rudiments must be carefully mastered and utilised by artists to achieve the maximum benefits.

What Is Entura Art?

Entura art, a unique drawing technique was so named and is being taught by Patricia Hayes, founder of Delphi University and Spirit Center in McCaysville, Georgia. Ms. Hayes was the personal assistant to Arthur Ford. She is a gifted spiritual channel and has spent the past 40 years teaching people to develop their spiritual abilities.

Entura art involves entering a meditative state and communicating with Spirit. Similar to channeled writing, Entura art is automatic and uses color. There is little “thinking” involved. Art itself uses the left brain for technique and Entura art requires none of this knowledge. In fact, the beauty of this is that no prior art experience is necessary.

Relaxation is key. You ask a question and the information is received. It is as if you serve as a container collecting the information until you sit down to “draw it” from you and put it to paper. The relaxed state continues as one draws what comes through Energy.

The colors have meaning; the shapes have meaning. Without intending, people draw faces, animals, and forms. Each element has a reason for being there.

In the Entura art course, some exercises included meditation and writing. From there, you create the art. After the artwork is completed, the relaxed state continues because that is from where the image is interpreted. Remember, the artwork answers a question. The images are very beautiful and wonderful to view. No matter how many times you see it, you may find something in the art work you had never seen before. This numinous information is multi-layered, representative of our spiritual selves.

My experience has been what I call “Brainstorming in the Etheric Realm.” Floods of sensations, feelings, ideas, moved through me. It was a completely different state of consciousness, beyond how I used to draw. I captured all of the information that flowed through my third eye. Everything related, the magnitude of it all. It was literally cosmic and yet familiar.

I have had drawing instruction from various artists since I was a child and attended a vocational high school where the arts were major courses. I found that when doing Entura art I draw faces better than I have ever done before.

This state of being is always available to each of us. It is expressive and deepens your relationship with Spirit. For those who may have had difficulty learning meditation, Entura art may be the creative breakthrough that can serve you.

For a look at Ms. Hayes’ work and others who have studied Entura art, visit the Entura Art Graduates and Artists group at Facebook.com. Click on the photos tab and see what has been contributed to the gallery. You will see many, many different styles but they all bring us back to Spirit. Click on Ms. Hayes’ name to visit her personal gallery.

Even though I discussed my uncle’s birthday with relatives, it still slipped my mind to send a birthday card. Eventually, I remembered and went to stores to get one. They were neither attractive nor suitable. Thoughts pop into my mind a lot; this time it was I can create the card. Spirit “appeared” in Mind and it occurred to me I could ask for their assistance in its creation. I asked Spirit if they had a message for my uncle who was about to enter the one hundredth year of being alive on the planet in this lifetime. The message was beautiful, a reminder of God in Action daily through his wife who also a reverend. My aunt is taking care of him as he experiences Alzheimer’s. The channeling was moving. The image has faces of energy with rejoicing expressions of love.

Pop Art – A Quick Guide to the Basics

Some of the most well-known artists of the Pop Art phenomenon, such as Roy Lichtenstein and Robert Rauschenberg, were born in the 1920′s which was a boom time in the USA with money to spare and jazz music starting to make it’s mark. But in 1929 the stock market crashed and the US entered a depression that lasted until the mid-1930′s. Perhaps the most famous of all pop artists, Andy Warhol, was born at the beginning of that depression.

So these artists grew up in a fast changing world that went from boom to bust to World War II in little over 10 years. By the time the war ended, they were still young and during the 1950s people again started to have some extra money available to spend on the endless stream of new products that were starting to appear.

And it was the design and advertising of these new products that the artists were commenting on, and influenced by, in a way that no previous generation of artists had been. They tried to use ordinary consumer items in their work to encourage people to view them differently. They also positioned common items in unusual ways to make people take notice of them.

Other common themes in Pop Art were comic books and the famous people of that era such as Elvis Presley and Marilyn Monroe, who will be forever associated with Warhol’s work. Warhol used screen printing techniques for his work and usually made several copies of the same image.

But what the artists sought to highlight was the way famous people were treated as objects in the same way as products were in advertising with all sense of their individuality removed. Although many pop artists were unwilling to give meaning to their work, and even those who posed questions with their art, left those same questions unanswered. Jasper Johns, famous for his series of paintings showing the American flag, famously questioned whether his own work was art or just a flag.

So what are the characteristics of Pop Art?

Just as the world in which we live is endlessly varied, so Pop Art used a variety of techniques but the common characteristics that define works as Pop Art are as follows:

Graphic Style: Clearly defined shapes and colours with hard edges such as the Lichtenstein comic book styles and David Hockney’s works.

Funny and Lighthearted: Rejecting the rather serious approach of earlier artists.

Everyday Products and Brands: including foodstuffs, cars and images from advertising and films.

Collage: and also different techniques within one work.

No Perspective: Flat two-dimensional works are very common.

Mechanical Techniques: silk-screen printing was used to create different versions of the same image.